Tuesday, 4 September 2012

The Shape of Things That Were Pt2

An interesting aspect of Lu Katavist's performance at BE#5 last week was his use of an Analogue Systems RS-35 External Processor to control his Euro rig. The musical results were great, so I checked to see whether I could get my hands on one.



I was surprised to see that the usually paltry list of Analogue Systems modules available at Schneidersbuero had grown to include the full range. I asked Andreas who told me that he was very happy to have recently secured a direct line to Bob William's modules.

Seems like the perfect cue to present some more scans from my recently trashed collection of magazines. Below you'll find Bob Williams discussing the price of second-hand synths in 1993 and Gordon Reid's 1998 review of the RS Integrator.

Music Technology, May 1993, Bob Williams Interview
The Mix, August 1998, Gordon Reid on the RS Integrator

I've updated the original post with a scan of Peter Forrest's second Doepfer review from 1997 as well as an interview with the author, auctioneer and collector himself.

For future scan updates, click on the media tag.

Monday, 3 September 2012

The Shape of Things That Were

I've just binned over two decades worth of magazines. It broke my heart, but I don't have the space for the paper mountain it had become. Among the disposed were Electronics & Music Maker, Music Technology, The Mix, Future Music and Sound on Sound.



I went through as many issues as I could, looking for interesting articles, keepers. The above question from a bewildered Mathew in Camberley warmed my heart. Peter Forrest's scoop on the Doepfer A-100 in December 1995's The Mix is presented below as a historical document. Dieter's system, which then sought to provide a modern alternative to vintage Moogs and Rolands, is now itself almost 20 years old and still growing.

A few observations from my purge: the death of small ads due to the internet, musicians should leave video and graphic art to the experts, computers today might be faster and software better but the rate of genuine change seems to have slowed in the last ten years, DJs have a lot to answer for, Paul Farrer's 'Notes from the Deadline' is the first thing I jump to when I get my copy of SOS, Future Music is throw-away and the writing is shit.

Peter Forrest's review of the A-100 in The Mix 12/95
The Mix, Feb. 1997, Doepfer A-100 Review 2
Future Music, Feb. 2002, Peter Forrest Interview

For future scan updates, click on the media tag.

On the subject of clear-outs, I notice Schneidersbuero are having an end of summer sale. Might be something there to fill my now empty shelves. And, of course, there is one last question: did Mathew from Camberley ever figure out how to use his modular?

Sunday, 2 September 2012

Mystery Module

Spotted at Basic Electricity #5 ...



... kan you guess what it is?



Thanks to Franz, Luka, Anthony and everyone who came to make BE#5 such a fantastic evening! Pictures, music and maybe some video to follow.

Tuesday, 28 August 2012

PotD - Mutant Horse 2

A gentle gallop into Basic Electricity #5 on Friday. This is a take on the patch Tom & I played at BE#4, likened by Ian Boddy to "riding a mutant horse".



A Sport Modulator provides both timing information and CVs, driving Maths, a VCO-2RM, Triple Wave Folder, A-112 Sampler/ Delay and VCA-2P panner. The oscillators are FM'd before being gated, folded and sampled. A stepped and manual CV controls the rhythm, delay time and panning. Flipping between track- and sample-and-hold on the SM delivers the final crack of the whip.

Sunday, 19 August 2012

Basic Electricity #5 Reminder

Less than two weeks to go 'till BE#5 with Franz Schuier, Lu Katavist and Anthony Bisset. Don't miss it!



Check the Basic Electricity blog for more info here and here.

BE#5, 31.08.12, 21:00
Lichtblick Kino. Kastanienallee 77,
10435 Berlin (Prenzlauer Berg)

Tuesday, 7 August 2012

Modcan FMVDO Demo



The Modcan FMVDO is a one-stop FM machine. It offers all you need for stable 2-Operator FM: a carrier, phase-locked modulator, an index VCA and more, all in 12HP. Could this be the gig-able solution I've been looking for?


Buy the album for €1 or more to access the full files (14 tracks, 19 mins), including comparisons with the WMD PDO.

The FMVDO first caught my attention four years ago, so I was very keen to try out the new Euro version. It offers better fidelity than the Hertz Donut and PDO and its features seem more focussed than the Cyclebox. As you can hear from the recordings, it sounds wonderful. I was expecting the glassy and wooden tones, but was surprised at some of the abrasive noises it's also capable of. So, problem solved? Well, not exactly …

Although it's more hi-fi, the FMVDO is also prone to mild aliasing. More importantly, the comparison with the PDO shows that its maximum modulation depth is not as deep. At higher indices, the PDO's digital wave-shaper distorts, but this can be tamed whilst still yielding brighter tones. Because the FMVDO's FM takes place internally, you can't increase the modulation above a certain point.

The all-in-one nature of the FMVDO raised a few other questions. I'm very particular about my envelope and VCA pairings. If you don't like the internal index-VCA's response, you're stuck. The inclusion of amplitude modulation is a nice feature, but I found this could be a little dirty, depending on the frequency. When active, the internal quantizer ensures that tuning ratios are maintained. It's fantastic to see this included, but I did get the impression that it wasn't always stable.

The ability to select waveforms via CV is something I wish the PDO had. On the FMVDO, this can result in radical changes in timbre. The waveforms are well-chosen. Some only reveal their true nature in LFO mode. The secondary output is fixed at 90 degrees. It can be used for stereo effects or quadrature modulation duties. Unlike the PDO, which is based on phase modulation, auto-modulation with this output won't result in wave-shaping. But as you can hear, it does create some wonderfully unpredictable results.

The Modcan FMVDO is well built, feature-packed and an excellent source of FM sounds. Sonically, it's 'superior' to the PDO, but I found myself preferring the more robust nature of the WMD. Part of this might be the difference between FM & Phase Modulation. PM is more forgiving of ratio inaccuracies than FM. That's possibly one reason why the FMVDO keeps everything 'in the box'. Make sure you try it out to see whether that suits the way you patch.

Thanks to Schneidersbuero for the loan of the module.

Sunday, 5 August 2012

Derek Holzer live at Basic Electricity

Derek Holzer & Vanessa Ramos-Velasquez will debut their bioart project A.LIVE at Basic Electricity #6 on September 28th.
Here's a preview:

A•LIVE Information Metabolism from Vanessa Ramos-Velasquez on Vimeo.


Completing September's bill is Rotterdam sound sculptor JenaMu6. Visit the Basic Electricity site for more info, flyers, music and video.

BE#6, 28.09.12, 21:00
Lichtblick Kino. Kastanienallee 77,
10435 Berlin (Prenzlauer Berg)