For those of you for whome the MMF-6 demo recordings were too 'heavy metal', here is a recording of some of the more subtle shades of saturation Cwejman's new filter is capable of:
MMF-6 Subtle Saturation
Low Pass 'clean' output. An analogue sequencer was used to modulate the cutoff frequency while the resonance and symmetry parameters were manually tweaked. The VCO's frequency was constant.
I liked the effect of this 'harmonic sequencing' so much, I tried it with my MMF-1. In the following example, I manually tweaked the frequency, resonance and 'spacing' while in dual-peak 12 dB band pass mode:
MMF-1 Dual Peak Harmonic Sequencing
Some more information on the CTG-VC and new look:
With no gate applied, the CTG's sustain is 'high' and can be used as an offset.
Despite lacking a D-Slope CV input, this parameter can be voltage controlled by taking a mult of the envelope and feeding it back to the decay CV. This is exactly the same patch trick I used to attain CV control over Math's curves. Depending on whether the feedback is positive or negative, one can change the response from exponential to logarithmic. Again, +1 for Doepfer's A-133 VC Polarizer!
And finally, Wowa says he plans to successively change all panels to the new, classy 'pearl white'.
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7 comments:
Hi,
I'd like to know what's the sound source filtered by the MMF-1.
Lovely sounds.
w8
Cheers! IIRC it was a static saw from a VCO-2RM. The CVs from the sequencer were only sent to the filter, not the VCO, although it sounds like I might have re-tuned it towards the end.
Hi Navs,
A sawtooth ? I wouldn't expect that !
Many thx,
w8
Love the sound of MMF-6. Did you use the Vco-2Rm as a VCO? Both or just one vco?
Thank you
Rc
Hi Rc,
It was just one VCO. You can hear it at 3:10 in the MMF-6 demo. In both examples, the resonance was fairly high. I used this to pick out the harmonics.
wich delay/echo do you us in this recordings?
thanks!
Hi Blino, it's probably the EHX Stereo Memory Man w/ Hazarai!
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