tag:blogger.com,1999:blog-5620149893690952008.post1110781860596684773..comments2023-11-06T21:30:07.851+01:00Comments on navs.modular.lab: Patch Tips #21 - Getting AnimatedNavshttp://www.blogger.com/profile/06664366116627242090noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-5620149893690952008.post-84950888058811121852012-01-18T21:32:20.084+01:002012-01-18T21:32:20.084+01:00sounds great that - will have to try it out
so y...sounds great that - will have to try it out <br /><br />so you get these pulses out of the output with oscs going merely into the cv inputs? (nothing at all into the input?)matttechhttps://www.blogger.com/profile/00508791870759349227noreply@blogger.comtag:blogger.com,1999:blog-5620149893690952008.post-46510147648075020012012-01-18T17:53:00.059+01:002012-01-18T17:53:00.059+01:00And one last thing, before I forget: I asked Diete...And one last thing, before I forget: I asked Dieter Doepfer about the 'no input' patch and my assumption that a comparator needs *two* signals to work. Well, mathematically, in this case, no input means 0V becomes the reference. You've got to be a scientist to see that ;) Thanks, Dieter!Navshttps://www.blogger.com/profile/06664366116627242090noreply@blogger.comtag:blogger.com,1999:blog-5620149893690952008.post-80230208444596338782012-01-18T17:48:26.139+01:002012-01-18T17:48:26.139+01:00One other point: the A-137-2 doesn't react to ...One other point: the A-137-2 doesn't react to a dynamic input signal in the same way that a 'normal' wave-folder does. With the Toppo TWF etc., louder signals are folded more, that's why you can vary the tone by sending your audio to a VCA first. With the A-137-2, varying the amplitude effectively shifts the reference point for the comparators, so the 'phase', or relative pulse width, will be affected.Navshttps://www.blogger.com/profile/06664366116627242090noreply@blogger.comtag:blogger.com,1999:blog-5620149893690952008.post-21127859242075407732012-01-18T17:44:43.794+01:002012-01-18T17:44:43.794+01:00Ha ha! It is, isn't it?
I realized after pos...Ha ha! It is, isn't it? <br /><br />I realized after posting, that I hadn't mentioned the patch details to the PotD! <br /><br />Yes, I used a filter. It would have been unlistenable without! The trick here was to send four VCOs to the four CV inputs (nothing in the main input). Each VCO and manual offset was 'tuned' to generate a harmonic, sort of square-wave additive synthesis. All four oscs received the same pitch CV, but I also messed with their relative tuning during the patch.Navshttps://www.blogger.com/profile/06664366116627242090noreply@blogger.comtag:blogger.com,1999:blog-5620149893690952008.post-76524038195644547892012-01-17T21:34:19.439+01:002012-01-17T21:34:19.439+01:00Damn, that is absolutely massive! Is a filter bei...Damn, that is absolutely massive! Is a filter being used in this patch, or simply reducing the CV depths (or both)?Phasebashhttps://www.blogger.com/profile/07188704932863036578noreply@blogger.com